“Divided by Zero” is a brand new interview series, both traditional interview and video interview getting you into the head and heart of the ZU family.  “Divided…” will feature five sporadically posted interviews featuring veteran members and members new to the ZU family.  Our first interview features Luis Zaragosa, comic, firebreather, and Globe-trained actor who has performed in well over 20 productions with the company.

Divided By Zero – Luis Zaragosa

How long have you been involved with Zero Untitled and what was your first production?

            Let’s see, my first production was a Christmas special called “Twas the FLOP Before Christmas” and that was 3 years ago…4 years ago…3 years ago…(laughs) a long time ago.

 (Zaragosa pictured with Barry Berryhill in “Twas the FLOP Before Christmas”)

What is your best memory of any ZU production?

            Hands down, performing in the streets of London.  Just busting out Shakespeare in “All the World’s a Stage”.

What kind of future project would you like to dabble in?

            Honestly, my three favorite roles were me playing silent because I’ve got a speech problem most of the time and I have a hard time memorizing lines on top of all the other stuff I do.  So I do “silent” and “creepy” pretty well so I would say more horror especially since that is something we haven’t done in a season or so, so more horror would be pretty awesome.

If you can play any role in any show for ZU, what would it be?

            Hmm, well I’m really good at comedy, but I love playing the psycho.  I’ve always wanted to play the psycho and I will always want to play the psycho.  I like playing crazy.

 (Zaragosa pictured with Allan Guzman in “Into Hell”)

So reviving your role as the White Rabbit in “Relapse in Wonderland” and “Madness in Wonderland”?

No, I “Sin” more actually.  “Sin” [from “The Rape of Lucrece”] was creepier, crazier.  I could have gone all over the place with Sin if I knew he was a subtle character.  Plus he looks like Death!

What do you expect from the audiences of ZU shows?

            Well, I like it when they get involved, I’m not saying walking around, jumping up and down, or volunteering to get on stage. I mean, when we do something and they react.  Like in the play “Nightmare of OZ” when the Dorothy character gets raped, I want to see the grotesque looks in the audiences’ face and the horror in their eyes.  I’ve always liked that about our audiences.

So, you like the audiences’ reactions to graphic stuff that Zero does in productions?

            Yeah, and we do lots of graphic stuff, I mean, we don’t just do creepy graphic, we do hilarious graphic.  Like in puppets [an improv game in Premature Punchline], we bend ourselves back and forth and the audience will get up and bend us however they want and they all get a kick out of it. And as long as the audience is enjoying themselves to the most they can, then that’s what I want.  I want them to enjoy what they (the audience) are doing, too.

 (Performing in a skit for one of Premature Punchline’s early shows; also pictured is Dustin Romike)

There are a lot of new people in the productions.  What would you tell people that are new to ZU?

            Enjoy this while you can, but this isn’t all to life, they are other things.  If you want this to become a big thing for you, then instead of playing video games and stuff like that when you have free time (after you’ve done your school work and other work) whenever you have down time, go ahead and like dabble in improv, go pick up on some improv games or watch improv shows, read new material, read plays.  Be more culturally aware, because whenever I joined, half the stuff [the other ZU guys] would drop, I would not understand.  So, I had to go and start researching and doing stuff on my own along with the other stuff with my classes.

What are your expectations for the ZU productions you spearhead, namely PrePunch?

            Let’s see, Premature Punchline has taken off, but I would like to see a lot of our actors and actresses be more aware of what they are doing. Internalize. Like when they go up there and improv, I don’t want them to just read stuff and do the stuff we rehearse well, but I want them to come up stuff on their own, like on the spot.  They need to get better at reflexed comedy, instead of rehearsed comedy.

 (Being trained at the Globe Theatre in London, England with Chu Owambala.)

So, say I’m brand new to ZU and I wanted to be in Premature Punchline, how would you train me?

            I’d corner you and tell you to convince me to let you out of the room. I’ve learned this while in London when I was trained by one of the Globe actors (named Chu Owambala) that given a simple task and saying “do it however you want, just convince me” is the simplest way to improv something because you have a decision that has to be made and now you have to have your own reason to back up that decision. You have to improv a reason to get out of the room. It’s a quick, simple starter.

Any final statements?

Don’t do drugs.